Ambidancetrous Etiquette

Dancing both roles is, legitimately, one of my favorite things to do in a night — these days, I’ll spend upwards of half of my time dancing as a lead. After speaking with some friends who regularly dance both roles, we’ve noticed some common etiquette mistakes which many non-ambidancetrous friends make.

Avoiding assumptions about roles

Sometimes, I don’t have a preference what role I dance during a song — and sometimes I do. When I have a preference (or when I’m unsure what role the other person dances), I make sure to include that consideration in my request to dance. As a woman, this sounds like:

  • “Would you like to lead or follow for this song?”
  • “Would you like to follow this song?”
  • “Would you mind if I lead / follow?”

You don’t need to ask everyone what role they’d like to dance every night. However, if you notice someone is ambidancetrous, then giving them an opportunity to choose their role (as long as you’re willing to dance either role) is very inclusive and affirming.


Many of the Ambidancetrous Dancers at Swingin’ at the Savoy. Look at how many people dance both roles!

Asking for consent to switch

When I ask to lead a song, I intend to lead for the entire song. When someone steals the lead from me and I didn’t expect it, I often feel a rush of negative emotions, including:

  • Annoyance — if I ask to lead a song, I usually want to lead the whole song
  • Frustration — especially when I’m working on leading a specific thing
  • Confusion — the context switch of changing roles is hardest if I don’t know it’s coming
  • Self-Doubt — do you think I can’t lead for a whole song? Do you expect me to run out of material? Was I such a bad lead that you couldn’t suffer 3 minutes as a follow?
  • Anger — no one asked me if I wanted to switch, thus taking away my ability to consent

Asking to switch roles is about consent.*

I cannot emphasize this enough. Asking someone to dance is not the same as asking them to switch roles in a song. If you wouldn’t do it to the average dancer, then why would you do it to anyone, even if they’re ambidancetrous? Whether you ask me at the beginning of the song or in the middle of the song, I just appreciate the opportunity to say yes or no. So thanks!

Complimenting an ambidancetrous dancer

About 40% of the time I dance as a lead with a new person, they’ll offer a backhanded compliment. Last night, for example, someone said “You can actually do interesting things!” I was less than enthused.

Also in this category:

  • “I’m so glad/surprised a guy made it to the finals as a follow.” (Spoiler, it’s probably because he’s a great follow, and not because he’s a man.)
  • “She actually leads like a guy!” (Or maybe she just dances like herself.)
  • “He’s better at swiveling than most women!” (Probably because he’s been working on them. Stop comparing him to women.)

There are, however, great ways to compliment someone who has lead to lead both roles. You know. Like you’d compliment anyone else for a great dance.

  • “That was a great dance! Thanks.”
  • “I love dancing with you.”

There are obviously exceptions to this suggestion. Just be careful, because even the most sincere compliments can feel slimy when coated in surprise and sprinkled with gendered expectations.

Respecting their choice

What it boils down to, in truth, is respecting the choices of those who are ambidancetrous. When someone switches the lead on me without consent, it feels disrespectful.

Switching roles can actually serve to delegitimize the person who is dancing their “other” role. There are a host of reasons why you might think it’s a good idea to switch, but the truth is that most ambidancetrous dancers are dancing that role because they want to do it. To take that away from them is to undermine them as a dancer in that role.

Similarly, when someone offers me a back-handed compliment, it undermines the work I’ve put into learning to lead. I didn’t choose to learn to lead on a whim. In fact, I’ve taken workshops and classes, and I actively dance both roles at a dance (choosing to lead, rather than leading because there’s an overabundance of follows). Leading is not a hobby — it is something I choose to do.

Go forth, and dance with everyone!

So when you dance with an ambidancetrous person, try to respect the role they choose because it is, inherently, their choice. I’d love to hear what you find is important when being considerate and respectful of your ambidancetrous friends. Thanks for considering these etiquette guidelines, and thanks for being an ally to anyone who wants to dance whatever role they choose!

*Note: this doesn’t make everyone upset — but I’d encourage you to ask, especially if you don’t know the person. If you’re friends with the person and there’s a history of stealing the lead or follow from each other, then go for it!

Thanks to Calvin and Dizzy for having these conversations with me so I could write a more well-rounded piece!


  One thought on “Ambidancetrous Etiquette

  1. Travis
    13 June 2016 at 3:15 am

    Beautifully said. I’m a 6′ tall, 240 pound guy that strongly prefers to follow when blues dancing. A major peeve of mine is being halfway through a song following and suddenly having the lead dropped in my lap. At least talk with me mid-song, don’t try to force me into it. Consent is key and applies to everyone on the dance floor.

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